‘No, I’ve a fucking palace out back. Why you here?’
Hardbread took a breath. ‘Because mighty Scale Ironhand, King of the Northmen, has gone to war with Glama Golden.’
Craw snorted. ‘Black Calder has, you mean. Why?’
‘Golden killed Caul Reachey.’
‘Reachey’s dead?’
‘Poisoned. And Golden did the deed.’
Craw narrowed his eyes. ‘That a fact?’
‘Calder says it is, so Scale says it is, so it’s close to a fact as anyone’s going to get. All the North’s lining up behind Bethod’s sons, and I’ve come to see if you want to line up too.’
‘Since when did you fight for Calder and Scale?’
‘Since the Dogman hung up his sword and stopped paying staples.’
Craw frowned at him. ‘Calder would never take me.’
‘It was Calder sent me. He’s got Pale-as-Snow, and Cairm Ironhead, and your old friend Wonderful as his War Chiefs.’
‘Wonderful?’
‘Canny woman, that one. But Calder’s lacking a Name to stand Second and lead his own Carls. He’s in need of a straight edge, apparently.’ Hardbread cocked a brow at the chair. ‘So I don’t reckon he’ll be hiring you as a carpenter.’
Craw stood there, trying to get his head around it. Offered a place, and a high one. Back among folk he understood, and admired him. Back to the black business, and trying to juggle the right thing, and finding words over graves.
‘Sorry to bring you all this way for nothing, Hardbread, but the answer’s no. Pass my apologies on to Calder. My apologies for this and … for whatever else. But tell him I’m done. Tell him I’m retired.’
Hardbread gave a sigh. ‘All right. It’s a shame, but I’ll pass it on.’ He paused in the doorway, looking back. ‘Look after yourself, eh, Craw? Ain’t many of us left know the difference between the right thing and the wrong.’
‘What difference?’
Hardbread snorted. ‘Aye. Look after yourself, anyway.’ And he stomped down the steps and out into the gathering dark.
Craw looked after him for a moment, wondering whether he was happy the thumping of his heart was softening or sad. Weighing his sword in his hand, remembering how it felt to hold it. Different from a hammer, that was sure. He remembered Threetrees giving it to him. The pride he’d felt, like a fire in him. Smiled in spite of himself to remember what he used to be. How prickly and wild and hungry for glory, not a straight edge on him anywhere.
He looked around at that one room, and the few things in it. He’d always thought retiring would be going back to his life after some nightmare pause. Some stretch of exile in the land of the dead. Now it came to him that all his life worth living had happened while he was holding a sword.
Standing alongside his dozen. Laughing with Whirrun, and Brack, and Wonderful. Clasping hands with his crew before the fight, knowing he’d die for them and they for him. The trust, the brotherhood, the love, knit closer than family. Standing by Threetrees on the walls of Uffrith, roaring their defiance at Bethod’s great army. The day he charged at the Cumnur. And at Dunbrec. And in the High Places, even though they lost. Because they lost. The day he earned his name. Even the day he got his brothers killed. Even when he’d stood at the top of the Heroes as the rain came down, watching the Union come, knowing every dragged-out moment might be the last.
Like Whirrun had said – you can’t live more’n that. Certainly not by fixing a chair.
‘Ah, shit,’ he muttered, and he grabbed his sword-belt and his coat, threw ’em over his shoulder and strode out, slapping the door shut. Didn’t even bother to lock it behind him.
‘Hardbread! Wait up!’
Acknowledgements
As always, four people without whom:
Bren Abercrombie, whose eyes are sore from reading it.
Nick Abercrombie, whose ears are sore from hearing about it.
Rob Abercrombie, whose fingers are sore from turning the pages.
Lou Abercrombie, whose arms are sore from holding me up.
Then, my heartfelt thanks:
To all the lovely and talented folks at my UK Publisher, Gollancz, and their parent Orion, particularly Simon Spanton, Jo Fletcher, Jon Weir, Mark Stay and Jon Wood. Then, of course, all those who’ve helped make, publish, publicise, translate and above all sell my books wherever they may be around the world.
To the artists responsible for somehow making me look classy: Didier Graffet, Dave Senior and Laura Brett.
To editors across the Pond: Devi Pillai and Lou Anders.
To other hard-bitten professionals who’ve provided various mysterious services: Robert Kirby, Darren Turpin, Matthew Amos, Lionel Bolton.
To all the writers whose paths have crossed mine either electronically or in the actual flesh, and who’ve provided help, laughs and a few ideas worth stealing, including but by no means limited to: James Barclay, Mark Billingham, Peter V. Brett, Stephen Deas, Roger Levy, Tom Lloyd, Joe Mallozzi, George R. R. Martin, John Meaney, Richard Morgan, Mark Charan Newton, Garth Nix, Adam Roberts, Pat Rothfuss, Marcus Sakey, Wim Stolk and Chris Wooding.
And lastly, yet firstly:
She who wields the Father of Red Pens, which cannot be drawn without being blooded, a fearless champion on the battlefield of publishing, my editor, Gillian Redfearn. I mean, someone’s got to do the actual fighting …
Copyright
A Gollancz eBook
Copyright © Joe Abercrombie 2011
Axe illustration © Didier Graffet/Bragelonne 2010
Map © Dave Senior 2010
All rights reserved
The right of Joe Abercrombie to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
First published in Great Britain in 2011
by Gollancz
The Orion Publishing Group Ltd
Orion House
5 Upper St Martin’s Lane
London WC2H 9EA
An Hachette UK Company
This eBook first published in 2010 by Gollancz.
A CIP catalogue record for this book
is available from the British Library.
ISBN 978 0 575 08875 7
This eBook produced by Jouve, France
All characters and events in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.
No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without the prior permission in writing of the publisher, nor to be otherwise circulated in any form of binding or cover other than that in which it is published without a similar condition, including this condition, being imposed on the subsequent purchaser.
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